Saturday, September 22, 2018
Tags Posts tagged with "Black Panther"

Black Panther

If the Oscars were held tomorrow, which films would be nominated? 

Though we’re still three months out from the fall festivals positioning the major pieces of the upcoming awards puzzle, 2018 has already placed a fine assortment of goodies into the Oscar oven. From tremendous performances in prestige pictures — like Toni Collette (Hereditary) and Joaquin Phoenix (You Were Never Really Here) — to Ryan Coogler’s monolithic achievement in the blockbuster arena (Black Panther), here are early contenders on the Oscars radar that have already hit theaters and/or screened at international film festivals in recent months.


With four Oscar nods already under his belt — two for acting and a pair for co-writing two films in Richard Linklater’s Before series — Ethan Hawke is already an Academy-verified staple of prestige cinema. He’s looking to continue that stretch with First Reformed, Paul Schrader’s searing drama about a priest whose personal convictions are tested after a harrowing encounter with an environmental activist. Though he had a dry spell with the Academy between 2005 and 2014, Hawke has built up considerable good will with his peers in recent years, namely for his performances in Boyhood and as jazz legend Chet Baker in Born to Be Blue. Schrader’s latest has unconventional, buzzy appeal, sturdy critical reviews, and an offbeat narrative hook to catch the Academy’s eye, as well as the perfect distributor, A24, to pull off a successful campaign as the film continues to expand to theaters around the country. — Joey Nolfi

David Lee/Focus Features

If the story of a black police officer infiltrating the Ku Klux Klan isn’t surreal enough, the fact that Spike Lee’s BlacKkKlansman is based on a true story is what enables it to pack a punch as a timely reminder of fractured race relations in America back in the 1970s and now. Grounded by strong performances from an ensemble cast led by John David Washington (son of Oscar-winning Denzel Washington) as police officer Ron Stallworth, BlacKkKlansman earned rave reviews at its Cannes debut this year, winning the coveted Grand Prix and cementing it as an early awards contender. — Piya Sinha-Roy

Behind a great man is a greater woman with a baffling Oscar losing streak to her name. At least that’s the case with director Björn Runge’s The Wife starring Glenn Close, the queen of unfinished Academy Awards business. Having amassed an astonishing six nominations over the last 35 years, Close has yet to win a single trophy, but that could change as she starts into the crowded race ahead. She plays a woman whose repressed talents manifest in mysterious ways as her husband collects the Nobel Prize for literature in Stockholm. This literary adaptation enjoyed an enthusiastic reception at the 2017 Toronto International Film Festival last September, and Sony Pictures Classics — which launched Call Me by Your Name and A Fantastic Woman into the awards fray last year — picked up the distribution rights. Given that the Academy’s typically all aboard an “overdue” narrative (Julianne Moore and Kate Winslet reaped similar benefits in recent years) and the fact that Close is enjoying some of the best reviews of her career, there may be a lot at play here. — Joey Nolfi©Marvel Studios 2018

Filmmaker Ryan Coogler not only delivered Marvel’s first black superhero standalone film to critical praise and stellar box office success, but demonstrated how to ground a fantastical world with timely social messages. Amid the lavish world of Wakanda and a spotlight on black excellence, Ryan Coogler explores what it means to be black today through Chadwick Boseman’s King T’Challa and Michael B. Jordan’s powerful performance as empathetic villain Erik Killmonger. Given Black Panther‘s groundbreaking role in cinematic history, it’s likely to earn a place in the best picture race. — Piya Sinha-RoyA24

If the Oscars handed out accolades for scaring the living hell out of people, the cast and crew behind one of the best films of the year would easily triumph in one fell, bone-chilling swoop. As terrifying as Hereditary is, thanks to first-time director Ari Aster’s assured direction, Toni Collette gives the film its heart and soul thanks to a brilliantly committed performance as a grieving mother battling a supernatural force threatening her family. The film kicked off 2018 with overwhelmingly positive critical reaction from Sundance, and Collette has since steamrolled a mountain of praise through the project’s summer release. Digital buzz among the film set has swarmed in her favor, too, meaning Collette could be the critical darling who winds up garnering Oscar gold at the end of the season. — Joey Nolfi

Ariel Nava/Lionsgate

Hamilton alum Daveed Diggs takes center stage alongside co-star and co-writer Rafael Casal in a tale of two friends navigating their friendship against the backdrop of a fast-gentrifying Oakland. While Blindspotting is a poetic ode to their native Bay Area hometown, it is Diggs’ portrayal as Collin — a man concluding probation who happens to witness a white police officer shoot an unarmed black man — that could garner him recognition. — Piya Sinha-Roy


Yes, the film box office hasn’t been exactly lacking in superheroes, but it has been missing Pixar’s first superhero family for the past 14 years. The return of the super-powered Parr family — Mr. Incredible, Elastigirl, and their three children Violet, Dash and scene-stealing Jack-Jack — has been welcomed warmly by critics and audiences, with Incredibles 2 smashing opening weekend box office records and serving up a reminder of the importance of inclusion in society. Given the love usually bestowed on Pixar films, this is the title to beat in the animated race. — Piya Sinha-Roy

Paramount Pictures

Natalie Portman’s breathtakingly gorgeous voyage into the otherworldy horrors of the Shimmer didn’t strike a chord with audiences at the box office, pulling in a so-so $32.7 million earlier this year. Critics, on the other hand, lapped up Alex Garland’s directorial follow-up to the 2015 sci-fi hit Ex Machina, which  scored a surprise Oscar for Best Visual Effects the following year. Expect critical bodies to throw Portman’s lead performance some well-deserved love at their year-end awards, but it’s the filmmaker’s returning visual effects team members Andrew Whitehurst and Sara Bennett who will likely reap the most Academy affection at the top of 2019. — Joey NolfiFOX Searchlight

The whimsical world of Wes Anderson often strikes a chord with awards voters — for instance, The Grand Budapest Hotel won four of its eight Oscar nominations in 2014. Isle of Dogs sees the idiosyncratic filmmaker return to the world of stop-motion animation to tell a tale of an alternate reality near-future Japan where dogs are banished to an island. The film faces challenges after some critics panned the film for not hiring a more diverse voice cast and kicking off a larger conversation around cultural appropriation. Billed as an homage to his Japanese cinematic heroes, Anderson and his scrappy pups may be the underdogs in the animated feature race. — Piya Sinha-RoyMagnolia Pictures

The $10 million domestic box office success of documentary RBG, about Supreme Court Justice Ruth Bader Ginsburg, may reflect audiences’ desire to see real-life superheroes. Or it may just reflect the power that Ginsburg holds as a beacon of justice in a fractured political sphere. Directors Julie Cohen and Betsy West trace the life and legacy of Ginsburg in their documentary, and offer a snapshot into the fiercely sharp mind of a trailblazing legal warrior. In the Time’s Up era in Hollywood, RBG has garnered praise from critics for spotlighting how one woman broke the rules and helped pave the way for a new generation of female empowerment. — Piya Sinha-RoyRichard Foreman, Jr. SMPSP/Sony Pictures

The second chapter of writer Taylor Sheridan’s Sicario world features Benicio Del Toro reprising his role as the deadly hitman Alejandro in a film that takes him on a violent journey when he’s contracted to kidnap a drug kingpin’s daughter. While Sicario: Day of the Soldado plays into timely themes of immigration and drug cartels, it is Alejandro’s unexpected arc and tragic backstory that could also earn Del Toro — who won a Best Supporting Actor Oscar in 2001 for Traffic — some long-overdue awards love. — Piya Sinha-Roy


Kimberly French/Focus Features

Charlize Theron, Jason Reitman, and Diablo Cody re-teamed for another round of dramedy magic on the 2018 Sundance breakout Tully, a powerful examination of the woes of motherhood, another winning entry in the trio’s powerful working relationship. With a pair of Oscars and another five nominations between the actress, director, and screenwriter, Tully‘s got the pedigree (and universal critical praise) behind it to make it one to watch out for in the acting and screenwriting categories. — Joey Nolfi


The Fred Rogers Company

Amid the recent wave of unsettling news from politics to Hollywood, Morgan Neville’s earnest, refreshing biographical documentary about the good-natured TV legend Fred Rogers is a meaningful reminder of the simple ties of kindness that bind humanity. Sweet but never twee, Neville’s essential meditation on the Pittsburgh-based host of Mister Rogers’ Neighborhood (and the generations he influenced) taps into a nostalgic emotional vein. At the same time, he finds new context for Rogers’ enduring message of compassion and understanding to flourish in the age of contemporary chaos.  — Joey NolfiParamount Pictures

The long-anticipated on-screen pairing of Hollywood darlings Emily Blunt and John Krasinski did not fail to deliver at the box office and otherwise in this tense thriller about a family living in silence as they hide from monsters that are summoned by noise. Blunt’s powerful performance as a pregnant matriarch and co-lead Krasinski’s skillful directing and innovative take on the horror genre may put the couple together into the awards race. — Piya Sinha-Roy

Alison Cohen Rosa/Amazon Studios

Though it’s been more than a year since Lynne Ramsay debuted her brutal psychological drama at the 2017 Cannes Film Festival (to much acclaim plus awards for best screenplay and best actor), critical enthusiasm for Joaquin Phoenix’s performance as a PTSD-ravaged mercenary tasked with rescuing sex-trafficked girls hasn’t subsided. The esteemed actor has yet to notch an Oscar nomination since leading 2012’s The Master, which upped his overall count of nods to three. In other words, he may be due for more Academy recognition, and he just might get it for playing a role in which he’s more present than ever. Since 2008, four of 10 of Cannes’ best actor winners have gone on to win or be nominated for the corresponding Oscar, so there’s a slight precedent bolstering his bid, too. — Joey Nolfi

Peter Mountain/Paramount Pictures

In hindsight, writer-director Alex Garland’s previous outing, 2015’s brilliant, chilly Ex Machina, feels like a grayscale precursor to the Technicolor wonder of his latest sci-fi epic — a story so sneakily clever and visually surreal that it’s still haunting our dreams (and our Halloween costume ideas) months later. 


Matt Kennedy/Marvel Studios

Superhero movies have always given us supersize experiences: the scope, the scale, the CG shock and awe. Ryan Coogler’s inaugural entry into the Marvel Universe offered all that, but also so much more — an electric, action-saturated joyride, a marvelous sense of place, and a deeply personal celebration of black excellence. Wakanda forever. 


Cohen Media Group

French provocateur François Ozon (Swimming Pool) dips his toes into the deep end of Hitchcockian perversity with this twisty, kinky erotic thriller about a woman (Marine Vacth) drawn to a pair of identical-twin doctors (Jérémie Renier). Jacqueline Bisset swings by to lend this utterly preposterous mindscrambler some class. Not that it needs any. 



We’re only six months into the year, but right now, Ari Aster’s Hereditary is the horror movie to beat. Toni Collette gives a gutwrenching performance as a mother grappling with a family tragedy and the terrifying outer limits of the supernatural. Nineteen years after The Sixth Sense, Collette gets a more-than-worthy companion piece. 


Scott Patrick Green/A24

A boy. A horse. A wide-open Western landscape. If the outlines of Andrew Haigh’s lyrical drama — anchored by the quiet, luminous presence of his young lead, Charlie Plummer — sound familiar, the reality is both infinitely harsher and more original: a film that captures with searing immediacy what it is to be young, broke, and lost in America. 

Warner Bros. Pictures

Think of this magical, whimsical sequel as the best Wes Anderson movie that Wes Anderson never made. Our marmalade-loving hero, who brightens the lives of everyone he meets, has to retrieve a pop-up book stolen by Hugh Grant’s thief of a thousand disguises. Absolute perfection, regardless of your age. 


CNN Films/Sundance

Arguably the year’s most impressive onscreen superhero, the small-but-mighty Supreme Court Justice Ruth Bader Ginsburg gets an intimate, moving, and unexpectedly funny documentary about her one-of-a-kind career. While her fiery dissents behind the D.C. bench are inspiring, the film’s biggest revelation is her years as a trailblazing feminist lawyer on an unwavering crusade for equal rights, arguing in front of the very court she would later join. 


Oscilloscope Laboratories

A little girl (the remarkable Laia Artigas) loses her mother to AIDS and is sent to live with her uncle in the Spanish countryside in Carla Simón’s lush autobiographical drama, a story that captures the truth of childhood with such luminous dreamlike intensity, it feels like a small death just to let it go. 

Kimberly French/Focus Features

She’s the harried, overworked mother of two, with a third on the way. But when Charlize Theron’s Marlo is gifted a fantastically capable night nurse (Mackenzie Davis), the fogbank lifts. Is it all too good to be true? The answer is a revelation in this whip-smart missive on marriage, identity, and modern parenthood.

Jim Judkis/Focus Features

If you want to see the world through the eyes of a child again — and, frankly, who doesn’t with all that’s going on in Washington? — Morgan Neville’s delightful, heartfelt documentary about PBS’ cardigan-clad Mr. Rogers is just the balm of kindness we could all use more of. Our answer: Yes, we’d love to be your neighbor.

Black Panther was the big winner at the 19th annual Golden Trailer Awards on Thursday evening, claiming the top prize and four trophies in all, the most of the night. The Disney superhero movie won Best of Show and Best Action for the trailer “Crown,” as well as Best Action TV Spot for a Feature Film (“Entourage”) and Best Music TV Spot for a Feature Film (“Women of Wakanda”).

On the television front, Netflix’s Stranger Things 2 and HBO’s Westworld season 2 took home three awards each.

Held at the Theatre at the Ace Hotel in downtown Los Angeles, the GTAs honor the best in trailers, TV spots, and other media marketing. Actress and comedian Michelle Buteau (Enlisted, The Tick) hosted the ceremony.

“It was another amazing year for marketers and for moviegoers who love trailers,” GTA founder Evelyn Watters said in a statement. “This competition recognizes a field of artists and editors who toil behind the scenes but are most responsible for filling theaters and getting people invested in what is coming soon to theaters around the world.”

Among studios, Warner Bros. (including HBO and New Line Cinema), Fox (including Fox Searchlight and FX), and Netflix collected 13 awards each. Trailer creators Trailer Park, Mark Woollen & Associates, and Buddha Jones took home nine, seven, and seven trophies, respectively.

The Golden Trailer Awards dole out 108 different awards in all, but only 17 of the categories were presented before a live crowd at the Ace. See a list of winners for the awards presented live below, and visit the GTA website to watch some of the winning entries.


Best of Show
Black Panther, “Crown”
Marvel Studios/Walt Disney Studios

Best Action
Black Panther, “Crown”
Walt Disney Studios
Best Animation / Family
Isle of Dogs
Fox Searchlight
Giaronomo Productions

Best Comedy
Lady Bird
A24 Films
Giaronomo Productions

Best Documentary
Won’t You Be My Neighbor
Focus Features
Mark Woollen & Associates

Best Drama
The Shape of Water, “Escape”
Fox Searchlight Pictures

Best Fantasy Adventure
Fantastic Beasts: The Crimes of Grindelwald, “Expelliarmus”
Warner Bros.

Best Horror
A Quiet Place, “Hunt”
AV Squad

Best Independent Trailer
I, Tonya, “Haters”

Best Music
Baby Driver, “Tekillyah”
Sony Pictures Entertainment
Trailer Park

Best Summer Blockbuster Trailer
The Incredibles 2, “Illegal”
Trailer Park
Best Teaser
Deadpool 2, “Cable Red”
20th Century Fox
Best Thriller
Unsane, “Believe”
Bleecker Street
Buddha Jones
Best Video Game Trailer
Call of Duty: WWII, “Reveal Trailer”
Golden Fleece
The Meg, “Carnage”
Warner Bros. Pictures
Trailer Park
Most Original Trailer
Deadpool 2, “Paintings — Bob Ross Trailer”
20th Century Fox
MOCEAN/Big Picture

With all due respect to Melissa McCarthy and Gabrielle Union: It’s Thanos’ world, we just live in it.

In its third weekend, Disney and Marvel’s superhero blockbuster Avengers: Infinity War continues to dominate the box office, earning an estimated $61.8 million from 4,474 theaters in the U.S. and Canada while trouncing McCarthy’s new comedy Life of the Party and Union’s new thriller Breaking In.

On Saturday, Infinity War cracked the $500 million mark at the domestic box office, becoming the second-fastest film to do so, and through Sunday it will have grossed about $547.8 million. The movie also bowed in China this weekend, powering a massive $281.3 million international haul. Its worldwide total now stands at about $1.6 billion and ranks fifth all time, behind Avatar, Titanic, Star Wars: The Force Awakens, and Jurassic World.

Directed by Joe and Anthony Russo and made for close to $300 million, Infinity War marks the third Avengers film and the 19th installment of the Marvel Cinematic Universe. It features heroes from across the MCU franchise — including Robert Downey Jr.’s Iron Man, Chris Evans’ Captain America, Scarlett Johansson’s Black Widow, Tom Holland’s Spider-Man, and the Chris Pratt-led Guardians of the Galaxy — and pits them against Thanos (Josh Brolin), an interplanetary warlord trying to wipe out half the life in the universe.

An untitled sequel is already on the calendar for May 3, 2019.

Warner Bros. Pictures

In second place, Warner Bros’. Life of the Party will take in about $18.5 million at 3,656 domestic theaters. That figure is in line with industry projections but falls short of recent McCarthy films Tammy ($21.6 million), The Boss ($23.6 million), and Spy ($29.1 million)

Written by McCarthy and her husband, Ben Falcone, who also directed, Life of the Party centers on a middle-aged divorcée (McCarthy) who returns to college to finish her degree and winds up in class with her daughter (Molly Gordon). The film received lackluster reviews from critics, and audiences gave it a tepid B CinemaScore.

The weekend’s other new wide release, Universal’s Breaking In, is on pace to gross about $16.5 million at 2,537 theaters, good for third place. That’s a solid start for a film that cost a modest $6 million to make.

Directed by James McTeigue (V for Vendetta), the film stars Union as a mother forced to protect her kids when the mansion of her recently deceased dad is invaded by burglars. Reviews have been poor, and moviegoers gave it a B CinemaScore.

Paul Sarkis/Universal

Rounding out the top five this weekend are Lionsgate’s rom-com remake Overboard, with about $10.1 million, and Paramount’s silently spooky horror hit A Quiet Place, with about $6.4 million.

According to ComScore, overall box office is up 4.8 percent year-to-date. Check out the May 11-13 figures below.

1. Avengers: Infinity War — $61.8 million
2. Life of the Party — $18.5 million
3. Breaking In — $16.5 million
4. Overboard — $10.1 million
5. A Quiet Place — $6.4 million
6. I Feel Pretty — $3.7 million
7. Rampage — $3.4 million
8. Tully — $2.2 million
9. Black Panther — $1.9 million
10. Blockers — $1.1 million

Avengers: Infinity War rages on.

After delivering the biggest box office opening in history last week, Disney and Marvel’s superhero epic is on track to earn an estimated $112.5 million from 4,474 theaters in the U.S. and Canada this weekend, crushing its competitors while scoring the second-best second weekend ever, not adjusted for inflation. Only Star Wars: The Force Awakens has grossed more in its sophomore frame ($149.2 million), and Infinity War will bump Black Panther ($111.7 million) down to third on that list.

That said, Infinity War’s $112.5 million represents a decline of 56 percent from its opening weekend, which is notably steeper than either The Force Awakens (40 percent) or Black Panther (45 percent), and on par with Warner Bros’. ill-fated Justice League, though better than predecessor Avengers: Age of Ultron (59 percent).

After 10 days in theaters, Infinity War’s domestic tally sits at an estimated $450.8 million. This weekend the movie will add about $162.6 million overseas, for an international total of $713.3 million. Infinity War broke the $1 billion barrier at the worldwide box office Saturday, becoming the fastest film ever to do so, and along the way it has passed fellow superhero hits like Thor: Ragnarok ($854 million), 2002’s Spider-Man ($822 million), and Wonder Woman ($822 million).

Directed by Joe and Anthony Russo and made for close to $300 million, Infinity War marks the third Avengers film and the 19th installment of the Marvel Cinematic Universe. It features heroes from across the MCU franchise — including Robert Downey Jr.’s Iron Man, Chris Evans’ Captain America, Scarlett Johansson’s Black Widow, Tom Holland’s Spider-Man, and the Chris Pratt-led Guardians of the Galaxy — and pits them against Thanos (Josh Brolin), an interplanetary warlord trying to erase half the life in the universe.

Infinity War has received generally positive reviews from critics, and moviegoers gave it an A CinemaScore. An untitled sequel is already on the calendar for May 3, 2019.

MetroGoldwyn Mayer Pictures/Pantelion Films

Unlike last week, when no new major releases went up against against Infinity War, this weekend brought a trio of newcomers: Overboard, a gender-flipped remake of the 1987 rom-com; Tully, a dramedy about motherhood hailing from director Jason Reitman and writer Diablo Cody; and Bad Samaritan, a thriller starring David Tennant.

Buoyed by Eugenio Derbez and Anna Faris, Overboard fared best of the three, grossing an estimated $14.8 million from 1,623 theaters, good for second place. Tully, which stars Charlize Theron, took in about $3.2 million from 1,353, landing in the No. 6 spot, and Bad Samaritan just cracked the top 10 with about $1.8 million from 2,007 theaters.

According to ComScore, overall box office is up 5.1 percent year-to-date. Check out the May 4-6 figures below.

1. Avengers: Infinity War — $112.5 million
2. Overboard — $14.8 million
3. A Quiet Place — $7.6 million
4. I Feel Pretty — $4.9 million
5. Rampage — $4.6 million
6. Tully — $3.2 million
7. Black Panther — $3.2 million
8. Truth or Dare — $1.9 million
9. Super Troopers 2 — $1.82 million
10. Bad Samaritan — $1.76 million

Thanos is well on his way to subjugating the universe, and he’s definitely got the box office under his thumb.

Disney and Marvel’s superhero epic Avengers: Infinity War is on track to earn an estimated $250 million at 4,474 theaters in the U.S. and Canada this weekend, claiming the highest domestic opening of all time, not adjusted for inflation. Final numbers will roll in Monday, but the movie is poised to dethrone Star Wars: The Force Awakens, which previously held the top spot with $248 million.

The record-breaking haul combines the second-highest domestic Friday in history ($106 million) with the highest Saturday ($83 million) and Sunday ($61 million). With an estimated overseas gross of $380 million, Infinity War also heralds the largest global opening in history, with $630 million. Universal’s The Fate of the Furious previously held the title with $541.9 million. Unlike that film, Infinity War has yet to open in China, the world’s second-largest movie market.

Marvel now boasts six of the top 10 opening weekends of all time, while parent company Disney holds nine of the top 10. The 19 installments of the Marvel Cinematic Universe have combined to earn about $15.4 billion.

Directed by Joe and Anthony Russo, Infinity War marks the third Avengers film and reportedly cost close to $300 million to make. Featuring heroes from across the MCU mega-franchise — including Robert Downey Jr.’s Iron Man, Chris Evans’ Captain America, Scarlett Johansson’s Black Widow, Tom Holland’s Spider-Man, and the Chris Pratt-led Guardians of the Galaxy — the movie pits them against Thanos (Josh Brolin), an interplanetary warlord trying to cull half the life in the universe.

Infinity War has received generally positive reviews from critics, and moviegoers gave it an A CinemaScore. An untitled sequel is already on the calendar for May 3, 2019.

No other films opened in wide release this weekend. The top five was filled out by Paramount’s horror movie A Quiet Place, STX’s comedy I Feel Pretty, Warner Bros’. action movie Rampage, and Marvel’s previous release, Black Panther.

According to ComScore, overall box office is up 3.4 percent year-to-date. Check out the April 27-29 figures below.

1. Avengers: Infinity War — $250 million
2. A Quiet Place — $10.7 million
3. I Feel Pretty — $8.1 million
4. Rampage — $7.1 million
5. Black Panther — $4.4 million
6. Super Troopers 2 — $3.6 million
7. Truth or Dare — $3.2 million
8. Blockers — $2.9 million
9. Ready Player One — $2.4 million
10. Traffik — $1.6 million

Chuck Zlotnic/Marvel Studios
‘Avengers: Infinity War’
Disney and Marvel’s Avengers: Infinity War is on course for a domestic debut north of $240 million — within shouting distance of Star Wars: The Force Awakens ($248 million), the record holder for biggest opening.

Disney is being more cautious and suggesting a domestic launch in the $225 million-$240 million range. Whatever the case, Infinity War is sure of securing the second-biggest launch of all time, eclipsing Star Wars: The Last Jedi ($220 million).

And globally, Infinity War could eclipse The Fate of the Furious ($541.9 million) to land the biggest box-office launch of all time. That’s without the benefit of China, where it doesn’t land until May 11.

Infinity War has already earned a mighty $178.5 million internationally in its first three days (Wednesday through Friday) for an early global total of $284.5 million.

Friday’s North American gross was $106 million, the second-best single day in history behind the $119.2 million earned by Force Awakens on its first day. Until now, Avengers: Age of Ultron sported the biggest single day for a superhero pic ($84.4 million).

It’s a Marvel superhero bonanza all the way around as Black Panther moves up the chart from No. 8 to No. 5 in its ninth weekend with projected earnings of $3.6 million.

To date, The Avengers ($207.4 million) holds the record for the biggest superhero launch, followed by Black Panther ($202 million). They are the only two superhero titles to have crossed $200 million in their first weekend.

After Force Awakens, the biggest North American openings belong to Star Wars: The Last Jedi ($220 million) and Jurassic World ($208.8 million).

Directed by the Russo brothers, Infinity War reunites the Avengers gang and friends, including Iron Man (Robert Downey Jr.), Black Panther (Chadwick Boseman), Thor (Chris Hemsworth), Captain America (Chris Evans), Black Widow (Scarlett Johansson) and the Hulk (Mark Ruffalo), as they join forces with the Guardians of the Galaxy crew to stop the evil intergalactic despot Thanos (Josh Brolin).

The success of Disney and Marvel’s Black Panther could be a huge boost for Infinity War. Black Panther has earned $681 million in North America to become the No. 3 film of all time behind Force Awakens ($936.7 million) and Avatar ($760.5 million). Globally, it has earned $1.325 billion to rest at No. 10 of the all-time biggest earners.

Overseas, Infinity War scored the biggest opening day in a slew of markets, including South Korea — where it has earned $11.4 million in its first two days — Brazil, the Philippines, Thailand, Indonesia, Malaysia, Hong Kong, Vietnam, Central America, Chile, Peru, Bolivia and the United Arab Emirates.

From a critical standpoint, reviews on RottenTomatoes currently give the film an 87% rating and on Metacritic the film holds a score of 68. While these are nowhere near the highest marks among films in the Marvel Cinematic Universe, the reviews seem unlikely to have any major effect on the box office one way or another, but they could suggest a somewhat softer word of mouth than possibly expected.

Overall, while it wouldn’t be surprising to see Infinity War deliver the largest opening weekend of all-time, it seems like a daunting task. When The Force Awakens debuted it was the first new live-action film in the Star Wars franchise in ten years and while Infinity War is being billed as the culmination of ten years of films in the MCU, there have been 18 films released within that franchise over the course of those ten years. Make no mistake, Infinity War will be a monster at this weekend’s box office, and we’re anticipating a performance anywhere from $225-250 million for the three-day, but hitting the higher end of that range may prove difficult.

Internationally, Infinity War began hitting theaters yesterday with $39 million as it debuted in South Korea, France, Italy, Sweden, Switzerland, Australia, New Zealand, Hong Kong, Taiwan, Singapore, Thailand and many others. The film opened at #1 in all markets, including a $6.7 million debut in Australia, the second highest opening day in industry history behind just Force Awakens. The $6.5 million opening in South Korea is the largest opening day in the market ever, along with a $3.9 million opening in both France and Italy and a record $2.7 million debut in the Philippines.

By the end of the weekend the film will have opened in ~72% of the international marketplace, with only key territories such as Russia (May 3) and China (May 11) remaining. Examining the same suite of territories based on today’s exchange rates, The Avengers opened to $189 million while Captain America: Civil War opened to $231 million and Avengers: Age of Ultron opened to $254 million. All told, depending on just how high Infinity War climbs, it could have a shot at becoming only the fourth film to have ever delivered a worldwide opening over $500 million. The major difficulty will be doing hitting that mark without China, a feat accomplished by Force Awakens alone.

A Quiet Place should land in the runner-up position. We’re currently anticipating it will be the only film on the rest of the weekend charts to deliver double digits over the weekend, finishing around $10.3 million over its fourth weekend as it continues its impressive run, looking at a domestic cume just shy of $150 million domestically by the end of the weekend.

Warner Bros. and New Line’s Rampage is likely to feel the effect of Infinity War as we’re expecting a drop around 56%, if not higher, and a third weekend gross right around $9 million, which would put the film’s domestic cume just over $80 million after 17 days in release.

Fourth place should go to Amy Schumer‘s I Feel Pretty and while we’re currently expecting a drop right around 45%, we wouldn’t surprised if this one held on just a bit better and possibly well enough to leap-frog Rampage for a third place finish. Right now we’re expecting a three-day just shy of $9 million, finishing the weekend with a domestic cume over $30 million.

Rounding out the top five is Fox Searchlight’s Super Troopers 2, which we’re expecting to dip over 60% this weekend for a $5+ million three-day. Come the end of the weekend the film’s domestic cume should be just short of $25 million, nearly doubling its $13.5 million production budget after just ten days in release.

This weekend’s forecast is directly below. This post will be updated on Friday morning with Thursday night preview results followed by Friday estimates on Saturday morning, and a complete weekend recap on Sunday morning.

  • Avengers: Infinity War – $230.0 M
  • A Quiet Place – $10.2 M
  • Rampage – $9.0 M
  • I Feel Pretty – $8.9 M
  • Super Troopers 2 – $5.9 M
  • Truth or Dare – $3.7 M
  • Ready Player One – $3.4 M
  • Blockers – $3.4 M
  • Black Panther – $2.9 M
  • Isle Of Dogs – $1.7 M

Left to right: John Krasinski plays Lee Abbott and Noah Jupe plays Marcus Abbott in A QUIET PLACE, from Paramount Pictures.

A Quiet Place is still making noise at the box office.

In its third weekend in theaters, Paramount and John Krasinski’s nearly dialogue-free horror movie is on track to earn an estimated $22 million from 3,808 theaters in the U.S. and Canada, reclaiming the No. 1 spot from the Dwayne Johnson-led action movie Rampage and holding off Amy Schumer’s new comedy, I Feel Pretty.

Through Sunday, A Quiet Place will have grossed about $132.4 million in North America, plus $74.8 million overseas, for a worldwide total of about $207.2 million. The film, which cost a modest $17 million to make, is now Paramount’s highest-grossing domestic release in nearly two years, since Star Trek Beyond in July 2016 (which earned $158.8 million).

A Quiet Place tells the story of a family living in silence in order to hide from aliens that hunt their prey by sound. Krasinski directed and costars with his wife, Emily Blunt.

Narrowly missing out on the top spot is Warner Bros’. Rampage, taking in an estimated $21 million (from 4,115 theaters). That works out to a drop of just 41 percent from last week’s debut and brings the movie’s domestic total to $66.6 million after 10 days in theaters.

Frank Masi/Warner Bros. Pictures

The movie — which stars Johnson as a primatologist and ex-soldier dealing with mutated mega-animals — will need to perform well overseas to be considered a success, and this weekend it will add about $57 million from 61 foreign markets, lifting its international total to about $216.4 million.

Debuting in third place, STX’s I Feel Pretty will gross about $16.2 million, from 3,440 theaters. While that figure is slightly above industry projections, it’s also lower than the $19.5 million managed by Schumer’s Snatched and the $30 million collected by her hit Trainwreck.

Written and directed by Abby Kohn and Marc Silverstein, I Feel Pretty stars Schumer as an ordinary woman who struggles with her self-image until she hits her head and wakes up feeling beautiful and confident. The movie has received poor reviews from critics, but moviegoers gave it a decent B-plus CinemaScore.

Aidy Bryant, Amy Schumer, and Busy Phillips star in I FEEL PRETTY

Another comedy debuting this weekend and garnering a B-plus CinemaScore is Fox’s Super Troopers 2, landing in fourth place with an estimated $14.7 million. The sequel, which hails from the Broken Lizard comedy group and was partially crowdfunded, will far exceed industry projections, which put it in the range of $6 million to $8 million.

Jay Chandrasekhar directed and costars in the movie, which centers on a motley crew of state troopers embroiled in an international border dispute. Reviews have been largely negative.

Blumhouse and Universal’s horror holdover Truth or Dare rounds out the top five with an estimated $7.9 million, while Lionsgate’s crime thriller Traffik, starring Omar Epps and Paula Patton, will open with about $3.9 million — in line with expectations and good for the No. 9 spot.

According to ComScore, overall box office is down 2.2 percent year-to-date. Looking ahead, next week brings the release of Disney and Marvel’s presumptive juggernaut Avengers: Infinity War.

Check out the April 20-22 figures below.

1. A Quiet Place — $22 million
2. Rampage — $21 million
3. I Feel Pretty — $16.2 million
4. Super Troopers 2 — $14.7 million
5. Truth or Dare — $7.9 million
6. Ready Player One — $7.5 million
7. Blockers — $7 million
8. Black Panther — $4.6 million
9. Traffik — $3.9 million
10. Isle of Dogs — $3.4 million

Courtesy of STXfilms; Jon Pack/Commander Softpants
‘I Feel Pretty,’ ‘Super Troopers 2’

‘I Feel Pretty’ stars Amy Schumer in her first PG-13 comedy.

Audiences may already be looking ahead to Avengers: Infinity War, but this weekend could feature an interesting battle among the top three. While we’re expecting A Quiet Place to return to the weekend’s #1 spot, the race could be a little closer should Rampage hold on better than expected or if Amy Schumer‘s new comedy I Feel Pretty outperforms expectations.

In a surprise twist, Fox Searchlight’s Super Troopers 2 zoomed past Amy Schumer’s new comedy, I Feel Pretty, to win the Friday box-office race with $7.9 million from 2,038 cinemas. I Feel Pretty grossed $6.3 million from 3,440 locations.

Nevertheless, it’s still not clear how the full weekend will play out. Most estimates show A Quiet Place winning the weekend with $20 million or more from 3,808 theaters — an impressive feat considering John Krasinski’s high-concept horror film is in its third weekend.

I Feel Pretty hopes to overtake Dwayne Johnson’s Rampage, now in its sophomore outing, and come in No. 2 with $18 million (Rampage had hoped to win the weekend).That’s ahead of prerelease tracking, which had suggested a $13 million-$15 million debut for I Feel Pretty. Many box-office observers are predicting that Super Troopers 2, despite winning Friday, will be front-loaded and hence place No. 4 with $15 million-$16 million.

STX always believed there was room for upside if femmes turned out in force to watch Schumer in her latest turn on the big screen. I Feel Pretty is rated PG-13, compared with a more restrictive R for Trainwreck (2015) and Snatched (2017), which debuted to $30.1 million and $19.5 million, respectively.

Voltage financed the $32 million film, with STX acquiring U.S. rights for $15 million.

In the movie, directed by Abby Kohn and Marc Silverstein, Schumer plays a woman who believes she looks like a supermodel after bumping her head in a spinning class. The movie’s current score on Rotten Tomatoes is an unenthusiastic 35 percent, while the film earned a B+ CinemaScore from audences. I Feel Pretty co-stars Michelle Williams, Rory Scovel, Emily Ratajkowski, Aidy Bryant, Busy Philipps, Tom Hopper, Naomi Campbell and Lauren Hutton.

Schumer has responded to criticism from some on social media that the movie’s trailer encouraged body shaming by saying that her character suffers from low self-esteem and that I Feel Pretty sends a positive message. I Feel Pretty’s Friday gross was ahead of the $5 million earned by Snatched.

Fox Searchlight’s Super Troopers 2 — a follow-up to the 2002 cult hit — is doing more than double the business prerelease tracking suggested it would.

The sequel was written by and stars the Broken Lizard comedy troupe; Jay Chandrasekhar, Brian Cox, Kevin Heffernan, Steve Leme, Paul Soter and Erik Stolhanske. The first film launched to $6.2 million domestically.

This time out, the oddball troopers attempt to resolve an international border dispute between the U.S. and Canada. The movie’s Rotten Tomatoes score is presently 33 percent, compared with the first film’s 35 percent, and it earned a B+ CinemaScore from audiences. Super Troopers 2 was financed by a crowd-funding campaign that raised a hearty $4.4 million.

Codeblack’s and Lionsgate’s thriller Traffik, the weekend’s third new offering, is pacing to bow to less than $4 million for a 9th place finish. Directed by Deon Taylor, the R-rated pic revolves around a couple (Paula Patton and Omar Epps) who are terrorized by a biker gang at a remote country getaway. Traffik is playing in 1,046 theaters.

Back in the top five, Universal and Blumhouse’s Truth or Dare is projected to place No. 4 with $7.7 million for a 10-day domestic total of $30.2 million.

Warner Bros. and Steven Spielberg’s Ready Player One and Unviersal’s Blockers are in a close race for No. 5 with an estimated $7 million each.

Warners announced Saturday that Ready Player One has crossed the $500 million mark globally, only the second Hollywood film of the year to do so behind Black Panther. It is also the first film Spielberg has directed to earn north of $500 million since Indiana Jones and the Kingdom of the Crystal Skull ($786.6 million) in 2008.

This weekend’s forecast is directly below. This post will be updated on Friday morning with Thursday night preview results followed by Friday estimates on Saturday morning, and a complete weekend recap on Sunday morning.

  • A Quiet Place (3,808 theaters) – $21.1 M
  • Rampage (4,115 theaters) – $17.2 M
  • I Feel Pretty (3,440 theaters) – $15.0 M
  • Truth or Dare (3,068 theaters) – $7.5 M
  • Ready Player One (3,208 theaters) – $7.1 M
  • Blockers (3,134 theaters) – $6.5 M
  • Super Troopers 2 (2,038 theaters) – $6.0 M
  • Black Panther (1,930 theaters) – $3.8 M
  • Isle Of Dogs (1,947 theaters) – $3.6 M
  • Traffik (1,046 theaters) – $3.5 M

Courtesy of Warner Bros.
On Friday afternoon, New Line’s Rampage appeared to be dropping like a rock at the U.S. box office, with first projections suggesting the big-budget movie might not earn much more than $28 million in its launch.

But thanks to the star power of Dwayne Johnson, Rampage made something of a recovery, opening to $34.5 million from 4,101 theaters, one of the best showings ever for a video game adaptation and enough to win the weekend ahead of holdover horror sensation A Quiet Place. That was still behind expectations, however. Heading into the weekend, tracking showed Rampage launching to $35 million to $40 million, compared to $54 million for Johnson’s San Andreas two years ago.

Overseas, Rampage roared loudly in China, biting off $55 million for a foreign debut of $114.1 million and solid global start of $148.6 million. The movie, costing at least $120 million to make before marketing, will need to have strong legs to earn its money back.

One formidable challenge is Avengers: Infinity War, which opens April 2. Rampage had been slotted to open on April 20, but moved up its release when Infinity War relocated. Rampage‘s new date meant that it debuted only two weeks after Steven Spielberg’s Ready Player One, likewise from Warner Bros.

Ready Player One, which gave up most Imax screens to Rampage, fell 54 percent over the weekend to $11.2 million for a domestic tally of $114.6 million. Ready Player One remains a force overseas, where it took in $33.8 million for a foreign cume of $360.2 million and a worldwide tally of $474.8 million.

In Rampage, Johnson plays a primatologist whose beloved pal, an albino gorilla, is transformed into a giant menace as the result of a genetic experiment (there’s also a wolf and a crocodile involved). The movie comes on the heels of the blockbuster success of Johnson starrer Jumanji: Welcome to the Jungle, which has grossed $950.9 million at the global box office after debuting to $36.2 million domestically.

Jumanji, like other Johnson films, enjoyed a huge multiple. New Line is hopeful Rampage , nabbing an A- CinemaScore, will follow the same course, particularly if it attracts families, who made up 28 percent of the opening weekend audience, according to comScore. Overall, the film is skewing male (55 percent) and playing to an ethnically diverse audience. Caucasians made up 43 percent of all ticket buyers, followed by Hispanics (22 percent), African-Americans (19 percent) and Asians/other (16 percent).

“Dwayne Johnson is the real deal. He’s a closer,” says Warners distribution chief Jeff Goldstein.

Paramount’s high-concept horror film A Quiet Place continued to defy expectations in its sophomore outing, earning $32.6 million for a domestic total just shy of $100 million at $99.6 million. The movie fell a scant 35 percent.

A Quiet Place wasn’t the only horror pic to do scary business, thanks to a strong turnout among younger moviegoers.

Truth or Dare, the latest microbudget collaboration from Universal and Blumhouse, opened to a strong $19.2 million in the U.S. The supernatural thriller — which hit theaters on Friday the 13th — revolves around a group of spring breakers who play an innocent game of Truth or Dare that turns deadly. Directed by Jeff Wadlow, the film stars Lucy Hale and Tyler Posey.

Truth or Dare placed No. 3, followed by Ready Player One. Universal’s R-rated comedy Blockers rounded out the top five with $10.3 million for a tepid 10-day domestic cume of $36.9 million.

Among other new offerings, the animated indie film Sgt. Stubby: An American Hero couldn’t find its stride, opening to just $1.1 million from 1,633 theaters.

At the specialty box office, Bleecker Street’s Middle East political thriller Beirut, starring Jon Hamm and Rosamund Pike, grossed $1.7 million from 754 theaters for a five-day debut of $2.2 million (it opened on Wednesday). Previously titled High Wire Act, the film centers on a top U.S. diplomat (Hamm) who leaves Lebanon in the 1970s after his wife is killed. Bard Anderson directed from a script by Tony Gilroy (Michael Clayton, The Bourne Legacy).

Chloe Zhao’s The Rider debuted to $45,268 from three theaters for a screen average of $15,089. From Sony Pictures Classics, the modern-day Western made its debut at Cannes last year.

And Wes Anderson’s Isle of Dogs moved up to No. 7 as it expanded into a total of 1,939 theaters. The Fox Searchlight film earned $5 million for a domestic tally of $18.5 million.

Film Frame/©Marvel Studios 2018

More than a month and a half after its release, Black Panther continues to break box office records. As of Monday, the Marvel and Disney movie has earned $652.5 million at the domestic box office and more than $1.2 billion worldwide, both of which are milestones: Black Panther‘s global box office pushes it past its Disney cousin Frozen into the top ten all-time earners. Its domestic numbers have now surpassed Jurassic World, which means Black Panther now has the fourth-highest domestic box office ever — it trails only AvatarTitanic, and Star Wars: The Force Awakens.

The Ryan Coogler-directed film stars Chadwick Boseman as T’Challa, the king of the fictional African country Wakanda who doubles as the region’s superpowered costumed protector. After five straight weeks atop the box office, Black Panther had already become the highest-grossing superhero film ever in the U.S. Now, it’s going toe-to-toe on those all-time rankings with even non-superhero blockbusters.

Black Panther‘s impact on the superhero genre will probably be felt for some time to come. King T’Challa and the African nation of Wakanda are all over trailers for Avengers: Infinity War, and a proper Black Panther sequel has been confirmed by Marvel Studios head Kevin Feige, who told us that Black Panther‘s success demonstrates the power of diverse cinematic representation.

“As Panther has so loudly declared, [representation] can only help you, can only help you tell unique stories, can only help you do things in a new, and unique, and fresh, and exciting way,” Feige said. “If you do that, audiences will notice it, and appreciate it, and support it.”

Legendary Pictures/Universal Pictures
It took a squad of giant humanoid robots and a few massive monsters to finally topple Black Panther at the box office. Universal Pictures and Legendary Entertainment’s rock ’em, sock ’em sequel Pacific Rim Uprising is on track to earn about $28 million at 3,708 theaters in the U.S. and Canada this weekend, dethroning Disney’s superhero blockbuster after five weeks at the top of the chart.

Although Uprising‘s opening is enough to dislodge Black Panther, the sequel is trailing its 2013 predecessor, which bowed to $37.3 million and went on to gross $411 million worldwide. In foreign territories — where the original Pacific Rim proved more popular than at home — Uprising is poised to earn about $122.5 million this weekend, with $65 million coming from China.

Directed by Steven S. DeKnight and produced by original Pacific Rim director Guillermo Del Toro, Uprising stars John Boyega as Jake Pentecost, a second-generation mech pilot who helps defend the planet from massive interdimensional beasts known as kaiju. The movie, which reportedly cost about $150 million to make, took a pounding from critics, while audiences gave it a so-so B CinemaScore.

Black Panther, meanwhile, continues to show impressive staying power with an estimated $16.7 million in North America and $12.9 million overseas. That brings the film’s worldwide total to nearly $1.24 billion and cements its status as the highest-grossing superhero movie ever in the U.S.

Film Frame/©Marvel Studios 2018

Directed by Ryan Coogler, Black Panther stars Chadwick Boseman as the titular superhero, a.k.a. T’Challa, who leads and protects the secretive, technologically advanced nation of Wakanda. The cast also features Michael B. Jordan, Angela Bassett, Forest Whitaker, Lupita Nyong’o, Danai Gurira, Andy Serkis, and Letitia Wright. The film garnered glowing reviews and an A-plus CinemaScore.

Also holding steady is Roadside Attractions’ faith-based film I Can Only Imagine, which is set to gross about $13.8 million at 2,253 theaters in its second weekend. That figure is good for third place and represents a mere 19 percent drop from its debut last week.

Directed by Andrew Erwin and Jon Erwin and starring J. Michael Finley, I Can Only Imagine chronicles the story behind the MercyMe song of the same name, the best-selling Christian single of all time. Like Black Panther, the movie received a rare A-plus CinemaScore.

In addition to Pacific Rim Uprising, this weekend’s new releases include Paramount’s animated movie Sherlock Gnomes, which will earn about $10.6 million; Sony’s biblical drama Paul, Apostle of Christ, which will earn about $5 million; Open Road’s teen romance Midnight Sun, which will earn about $4.1 million; and Bleecker Street and Steven Soderbergh’s psychological thriller Unsane, which will earn about $3.9 million.

Mark Cassar/CTMG

Rolling out in limited release is Wes Andseron’s Isle of Dogs. The stop-motion movie, distributed by Fox Searchlight, will take in about $1.6 million at 27 theaters, for an impressive per-screen average of $58,148. Isle will expand in the coming weeks.

According to ComScore, overall box office is down 2.5 percent year-to-date. Check out the March 23-25 figures below.

1. Pacific Rim Uprising — $28 million
2. Black Panther — $16.7 million
3. I Can Only Imagine — $13.8 million
4. Sherlock Gnomes — $10.6 million
5. Tomb Raider — $10.4 million
6. A Wrinkle in Time — $8 million
7. Love, Simon — $7.8 million
8. Paul, Apostle of Christ — $5 million
9. Game Night — $4.2 million
10. Midnight Sun — $4.1 million